Year: 1992
Director:
Tsui Hark
Starring:
Jet Li, Donnie Yen, Rosamund Kwan, David Chiang
Genre:
Action/martial arts

Literal title translation: 'Wong Fei Hung 2: Man Should Be Self Sufficient '

 
 


Wong Fei Hung (who is a physician as well as a martial artist) attends an international medical conference, and introduces the British to acupuncture. Presently, Wong and his followers find themselves in mortal danger at the hands of the anti-foreign White Lotus Cult, and they take refuge at the British embassy. Wong teams up with Dr. Sun Yat Sen to, fight back the cultists, and keep a name list of revolutionaries from falling into the wrong hands.

In many ways this film is superior to the original OUATIC. This is firstly because there are less supporting characters, and therefore more time is afforded to Wong Fei Hung, Aunt Yee, and Fu. This helps to develop their relationships and this part of the plot adds nicely to the continuity of the series. Jet Li has had time to adapt to his role and does more of his own fighting here than in the original (in the previous film he sustained an injury early on in production and needed to be doubled by stuntman Hung Yan Yan). The two standout fight sequences are versus fan favourite Donnie Yen, and it is a bit of a disappointment that him and Li never go toe to toe. Instead we get two extremely well choreographed pole duels where both him and Li really show what they can do. These are truly amazing and the only minor quibble I would have is that the editing of the last section (where Jet defeats him) is a bit drawn out. Tsui Hark has again delivered a film that has a very distinctive look. It is shot in an almost sepia looking colour balance and shafts of light are used to give the film a very interesting look. The production design is also excellent - Tsui's team have succeeded in giving the most realistic rendition of 19th century China yet seen in Hong Kong cinema.

This film delivers in all departments, drama, action, acting, comedy, directing and plot and is definitely one of the better (if not the best) OUATIC films. Watching this you can clearly see why the new wave kung fu film genre is so popular. This is a very intelligent and mature addition to the much imitated but rarely bettered film series.


         
     
         
     


FILM REVIEWS | PROFILES | SOUNDTRACKS | BOOK REVIEWS
home | submit | search | contact

© 2001 eastern lens