Year: 1989
Director: Wong Jing
Starring:
Chow Yun Fat, Andy Lau, Joey Wong
Genre:
Action/Thriller
Literal title translation: 'Gambling God'

 
 
 


Chow Yun Fat plays a clairvoyant gambler who never loses at cards, dice or mah jongg. After a head injury leaves him with the personality of a child, he is taken in by con man Andy Lau, who soon discovers and tries to exploit Chow's gambling skills, which have remained intact. As an innocent boy in a man's body, Chow gets to show off his full range of acting skills.

The original Hong Kong action movie is definitely different to director Wong Jing's usual films in that it trys to have heart. You really feel for the poor Chow character when he loses his memory and begins acting like a child. The superb theme song coupled with some very well observed performances make this a winner. The best gambling scene comes at the beginning when Chow takes on a tattooed Michiko Nisiwaki. Chow's supernatural skills and cool demeanor make you really believe that this man is the "Dosan" (Cantonese for Gambling God). Perhaps a bit uneven in places (as with the majority of Wong's work) there are however, some classic moments and Chow also gets to display his famous gunplay with the usual elan. The only problems here are the end sequence which goes on a bit too long and is also a bit contrived. Where the film really excels though, is in the use of motifs: jade rings, photographs and even chocolate are all used by Wong Jing to weave a very interesting tapestry and add tenfold to the character of the Dosan. Andy Lau is also very good supplying the comic relief in his now familiar young rebel role.

If you are at all interested in watching a Hong Kong gambling movie this is the one to start with. Chow Yun Fat delivers one of the best performances of his career and there are some very good action scenes also. Some of the feats are a bit unbelievable but this is to be expected and adds credibility to the premise of Chow really being the ultimate gambler. A Hong Kong classic that has inspired many pale imitations.

   
         
     


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